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Chinese
calligraphy has Four Treasures of Study -
Wenfangsibao , or writing
brush, ink stick, ink slab, and paper.
These four traditional 'treasures' have played an important role in
disseminating culture and art in China, and with the passing of time, ink stones
have became art works themselves.
A look into the origin, selection of the raw materials, special varieties,
and making of the famous ink slabs reveals the historical, cultural, and
aesthetic values throughout Chinese history.
Ink slabs originated from the grinding implements used in primitive Chinese
society to grind pigment on stone. There is a lot of archeological evidence to
show that ancient Chinese used ink slabs for grinding ink. A stone ink slab was
found in a 5,000-year-old archeological site in Jiazhai, Shanxi
Province. In the Han
Dynasty (206BC-220AD), ink slabs were widely used as writing utensils.
After many years of development, the craftsmanship of making ink slabs
consummated in the Ming (1368-1644) and Qing (1644-1911) dynasties, with a lot
of famous ink slabs produced. The Ming era ink slabs were made according to the
original shapes of the stone, and various forms like lotus leaves, men's faces,
crescents, ancient coins, and gourds were finely carved into the stone. By the
Qing era, ink slabs more importance was attached to inscription and decoration,
and ink slabs had become artistic works for collection rather than merely for
practical use.
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Seven-star string instrument
ink slab. |
Duan ink slab with inscription
of Mi Wanzhong in the Ming Dynasty. |
Ink slab
collected by Huang Shentian of the Qing Dynasty. On the back is his
inscription. |
Most ink slabs are made of stone, while are made of porcelain, bronze,
or lacquer. Three of the so-called Four Famous Chinese Ink Slabs are stone, and
only one is porcelain.
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